Past
Projects
Banner has been producing radical theatre productions since 1973.
Here are details about some of them. Other recent projects include the celebration of the 30th anniversary of the company, and an educational CD-ROM We Are Here. Click here for a complete historical list. |
CDs and cassettes of music, songs and actuality from several shows are available from the Banner office (click here for details).
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Strangers in Paradise Circus
In 2006 and early 2007, Banner worked within the Aspire Development Partnership to develop a new production based on the real-life experience of asylum seekers and refugees in Birmingham in order to challenge racism and the spread of racist attitudes.
The resulting show, Strangers in Paradise Circus, toured a range of community venues in Birmingham and Solihull in spring 2007, including performances in Aston, Billesley, Castle Vale, Chelmsley Wood, Great Barr, Hamstead, Handsworth, Kings Norton, Moseley, Northfield, Perry Barr, Sheldon, Sparkhill and Turves Green.
Strangers in Paradise Circus was part funded by the European Social Fund through the Community Initiative EQUAL, and has also been supported by Arts Council England, the Baring Foundation, Birmingham City Council, the William A Cadbury Trust, the Lloyds TSB Foundation for England & Wales, the Professional Footballers Association, the PRS Foundation for New Music, the Transport Salaried Staffs Association and the Woodward Charitable Trust. |



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Banner Theatre's 30th Anniversary
2004 marked Banners thirtieth anniversary with a programme of special activities.
- a songbook / social history, featuring 80 songs by Dave Rogers from Banners shows
- a new CD of Banner songs, featuring Jilah Bakshayesh (vocals, fiddle, bass), Charlie Davis (rap vocals), Dave Rogers (vocals, guitar) and Fred Wisdom (vocals, guitar).
- an event to mark the company's thirty years on the 8th and 9th April 2005. More details... |

Anniversary brochure
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We Are Here (because You Were There) is an educational CD-ROM on immigration and asylum in Britain. It introduces the issues and connects specific experiences with a range of contexts. Suitable for schools (key stages 3/4), FE, community and informal settings, it includes lesson/workshop plans and is PC or Mac compatible. This was a joint project with Virtual Migrants. Revised version published 2003.
"As teachers, we know we have a responsibility to dispel the myths and lies that are gathering around immigration and asylum. Here is an excellent resource to help us do just that. We Are Here provides accessible, well
supported and thought provoking material for Secondary Schools and youth groups. All young people should see and use this - all schools should buy a copy."
Jane Nellist, Coventry Teacher and NUT Secretary
See also review on the Global Dimension website |
The CD-ROM is available from the Banner office, price £12 (£15 for institutions) plus £2 post and packing. An order form can be downloaded either in PDF or Word format. |
Local Stories / Global Times (2002/06)
From 2002 to 2006 Banner worked on this major project exploring the impact of globalization on different communities in Britain.
Phase One, Migrant Voices, was based on residencies with Iranian and Iraqi Kurdish asylum seekers in two of Britain’s older industrial communities - Sandwell in the West Midlands and Salford in Greater Manchester.
Phase Two, Burning Issues, was a project with former mining communities in the Midlands, Lancashire, Yorkshire and South Wales, exploring the legacy of the 1984/5 Miners Strike and looking at global changes in the coal industry.
Phase Three has been Wild Geese, a show based on stories of exile and migration as they have affected Irish, African/Caribbean, African, South Asian and Chinese migrants and refugees. |
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Wild Geese (2004/6)
Wild Geese is a song and video ballad of exile and migration, using live music and video to combine the stories of Irish nurses, Asian textile workers, Iranian refugees and Chinese cockle-pickers and to highlight the contradictions in the position of migrant workers, often trapped in some of the poorest jobs, which no-one else will do, but vilified in parts of the media.
Wild Geese has been supported by Arts Council England, Birmingham City Council, Birmingham Community Empowerment Network, Comic Relief, the European Social Fund (Equal Programme) and the Sir Barry Jackson Trust.
Music, songs and actuality from the Wild Geese production are included in the Wild Geese CD available from the Banner office (click here for details). |
original Wild Geese flyer

Wild Geese CD cover
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Burning Issues (2003/5)
Phase Two of Local Stories / Global Times was a show to mark the twentieth anniversary of the 1984/5 Miners Strike, developed with former mining communities in Yorkshire, Lancashire, the Midlands and South Wales. Funding for the production was from the Arts Council of England, the Arts Council of Wales Night Out Scheme, Stoke City Council and for research for the show from the Staffordshire Coalfields Community Chest.
If you have broadband you might like to download a video clip of a sequence from the show by clicking here - but beware, it is a very large file (over 11MB) |

Burning Issues flyer |
Migrant Voices (2002/6)
Based on collaborations with Iranian and Iraqi Kurdish asylum seekers and refugees in the West Midlands and Greater Manchester, this is a hard-hitting show combining live performance and DVD technology. It toured extensively in England and Canada during 2003, 2004 and 2005 and is available for booking in 2006..
Music, songs and actuality from the Migrant Voices production are included in the Wild Geese CD available from the Banner office (click here for details). |
Migrant Voices flyer |
Black
and White in the Red (2000/2)
A show which became part of fire service training to raise awareness
within the service about institutional racism and stemming from three
residencies with the Fire Brigades Union and its black and Asian section,
B@em, The residencies were part of UK Year of the Artist 2000/1 and
the show later toured fire stations throughout the United Kingdom.
A CD of music, songs and actuality from Black and White in the Red
is available from the Banner office (click here
for details).
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Fred Wisdom & Dave Rogers
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Reclaim
the Future (2000)
Reclaim the Future was a collaborative multimedia project celebrating
cultural diversity made by young people from the West Midlands, El
Salvador and the former East Germany. The show combined physical theatre,
multimedia and world music to explore issues of race, equality and
cultural identity in a world increasingly dominated by global corporations
and consumerism. |
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Free
for All (1999/2000)
Free for All was based on extensive video recordings with pioneers
who fought to establish the original National Health Service, with
present-day NHS workers and users, and with campaigners fighting to
defend the service from privatization. The show revisited the hopes
and dreams of 50 years ago to ask key questions about the future of
this unique institution. Using song, drama, music and digital video
technology, the show explored whether the original principle of the
NHS – free for everyone – had become a different kind
of “free-for-all”, involving transnational drug companies,
private health care businesses and ever more elaborate schemes of
privatization.
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Free for All flyer
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Fortress
Europe (1998)
A CD and cassette of actuality, music and songs - ranging from Irish
jigs to Ivory Coast Zouglou - from Redemption Song and Criminal Justice
are available from the Banner office (click here
for details).
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Redemption
Song (1997)
Using physical theatre, political text, slides, recorded voices and
music, Redemption Song linked stories from African asylum seekers,
the British black experience and the Liverpool Dock Strike. In particular,
it drew on the experience of Sita Camara, a political refugee from
the Ivory Coast and told of her fight for civil and human rights,
exposing the deceit and hypocrisy of Western governments, which claimed
to champion democracy, while supporting oppressive regimes in third
world countries. It examined British immigration policy and made links
between racism in Britain and oppressive regimes throughout the world.
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Criminal
Justice (1996)
Criminal Justice exposed the erosion of civil liberties by the 1994
Criminal Justice Act and highlighted the resistance by a wide range
of groups, which were adversely affected by it. The research team
interviewed around 80 people affected by the legislation, ranging
from Anti-M11 link road campaigners, disabled activists and “new-age”
travellers through to gypsies, squatters and "Footballers against
the CJA". The show used satire to illustrate the wider legal
and political implications of the Act, intercut with song and recorded
actuality portraying the experiences of groups affected by the legislation.
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Sweat
Shop (1995)
Sweat Shop lifted the lid on Britain's early 1990s "economic
recovery" and exposed the links between back-street sweatshop
employers and the big brand name manufacturers. The show was based
on over 70 interviews with hat makers in Luton, homeworkers in Sandwell,
Nike shoe workers in Indonesia, and Levi Strauss machinists in San
Antonio, Texas, and demonstrated how it is no longer possible to consider
the rights of workers in Britain without considering the rights of
workers in across the globe. In story and song, Sweat Shop took you
on a journey across the world, and across 250 years of fighting back
against low wages and inhuman working conditions. A cassette of music,
songs and actuality from Sweat Shop is available from the Banner office
(click here for details).
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Dave Rogers, Helen MacDonald, Paula Boulton & Aidan Jolly in
Sweat Shop
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